NINO CAPPELLO
Journal · 19 August 2026 · A/W 2026

The second hem

A long coat over a men’s skirt is more than an extra layer. It introduces a second hem—and therefore a second decision. When both lines are planned, the result is not bulk but calm, vertical authority.

Man in Milan wearing an open camel coat, knee-length charcoal pleated men’s skirt and tall boots.
Milan · Camel and charcoal
Long camel double-breasted coat, open to the upper calf + pale-grey merino roll neck + knee-length charcoal knife-pleated skirt + polished oxblood knee boots.

1. Outerwear takes command

Wallpaper* now distils A/W 2026 into a slimmer, elongated menswear line. AP had already described Paris as emphatically coat-first: outerwear, rebuilt shoulders and exact tailoring perform the work that would otherwise require several separate pieces. For a men’s skirt, that is an unusually clear starting point. The coat frames the silhouette and the skirt continues it. Both may carry volume, provided their lower edges do not compete by accident. The eye should register a hierarchy: first the outer line, then the deliberately placed skirt hem.

2. Two hems need distance

The most dependable rule is simple: separate the coat and skirt hems decisively, or bring them very close to alignment. A knee-length pleated skirt can sit beneath an open coat ending at the upper calf, leaving the shorter horizontal clearly visible. A below-knee utility kilt works with a mid-calf trench. An upper-calf wrap needs a knee-length or slightly longer coat so the skirt retains enough surface of its own. With a long column, stop the coat just short and reveal six to eight centimetres of skirt. What looks unresolved is the accidental gap of only a few centimetres—close enough to suggest error, too far apart to read as alignment.

The coat does not conceal the men’s skirt. It gives its line a second, precise frame.

3. The coat must be able to open

A second hem only works when the primary skirt front remains legible. Single-breasted coats, soft double-breasted cuts, raglans and controlled trenches are therefore stronger than rigid constructions that demand to stay closed. Vogue Runway records long outerwear with diagonal edges at Giorgio Armani; IM Men rebuilds trench and shoulder into mobile planes. Nino Cappello draws a practical conclusion: wear the coat open, or fasten only the upper button. Side vents provide stride, a clean facing controls the front edge, and the skirt remains one continuous field—without a trouser break and without drifting into costume.

4. Material and colour steady the line

Two large surfaces do not need competing patterns. Camel over charcoal, ink over olive, tobacco over sand and black over oxblood give each hem its own weight without interrupting the vertical. Materials can contrast: dense coating with tropical-wool pleats, technical trench cloth with utility twill, soft suede with a linen-wool wrap, smooth evening wool with a fluid skirt column. Footwear supplies the final stop. Tall polished boots stabilise a knee-length skirt, lace-ups ground utility, loafers and fine socks sharpen the midi line, and narrow ankle boots extend the long look.

5. Men Can: protection without concealment

A coat can protect without hiding the men’s skirt. That distinction is the attitude. Prada’s official note links elongated precision to the body and its posture, while AP’s Milan report documents lighter tailoring alongside pleated skirts for men. Nino Cappello reads those signals together: the wearer does not disappear inside outerwear; he uses it to frame a deliberate skirt shape. Men Can means neither apologising for an unfamiliar silhouette nor defending it theatrically. A clear shoulder, two controlled hems and grounded shoes often say enough.

Four formulas for two controlled hems

Two shorter skirts, one midi and one long line show coat length, opening and footwear working as a single system.

Man in Milan wearing an open camel coat, knee-length charcoal pleated men’s skirt and tall boots.
Milan · Camel and charcoal
Long camel double-breasted coat, open to the upper calf + pale-grey merino roll neck + knee-length charcoal knife-pleated skirt + polished oxblood knee boots.
Man in Copenhagen wearing an open ink trench, below-knee olive utility kilt and lace-up boots.
Copenhagen · Ink and olive
Ink storm-flap trench to mid-calf + ecru shirt and graphite vest + olive utility kilt finishing below the knee + black lace-up boots and graphite socks.
Man in Florence wearing an open tobacco suede coat and sand upper-calf wrap skirt.
Florence · Tobacco and sand
Tobacco suede raglan coat ending just below the knee + ivory silk-cotton shirt + sand upper-calf wrap skirt + espresso loafers and dark fine socks.
Man in Paris wearing an open long black coat and an oxblood long men’s column skirt.
Paris · Black and oxblood
Narrow black coat above the ankle + midnight mock neck + long oxblood column skirt extending six to eight centimetres below the coat + black square-toe ankle boots.

Sources in brief

Wallpaper*, AP, Vogue Runway, Prada and Flannels establish precise long outerwear and current men’s-skirt silhouettes. The two-hem rule is Nino Cappello’s editorial interpretation.

Set the outer line

Discover modern men’s skirts, Italian construction and looks in which protection and visibility carry the same conviction.