NINO CAPPELLO
Journal · 22 August 2026 · Transition into A/W 2026

The quiet step

The new men’s shoe is not growing larger; it is moving closer to the foot. Thin soles, supple leather and low vamps are replacing the bulky sneaker. With a men’s skirt, the result is not fragile but remarkably lucid: less weight at ground level, more precision throughout the look.

Man in Milan wearing a camel blazer, knee-length graphite pleated men’s skirt, knee socks and flat black Derbys.
Milan · Graphite and a soft Derby
Camel double-breasted blazer + ivory fine knit + knee-length graphite knife-pleated men’s skirt + charcoal knee socks + black rounded leather Derbys on thin soles.

1. The ground becomes lighter

EL PAÍS called the jazz shoe a glove for the foot on 16 August; two days later, Who What Wear’s London report confirmed soft Derby hybrids for autumn. Vogue had already tested the idea specifically through menswear: Celine, Bottega Veneta and Jil Sander favour rounded or gently squared toes, low vamps and slim soles. This is more than a fleeting dance reference. It belongs to a broader move in which footwear sheds visual volume and gives the clothes above it room to register. A men’s skirt benefits especially because hem, sock and shoe return as three distinct, readable planes.

2. Hem length decides the opening

A closed, slender Derby suits a knee-length pleated skirt, keeping the exposed stretch of leg graphic and exact. A below-knee utility kilt can take a slightly more technical lace-up, provided the sole stays flat. An upper-calf wrap calls for a soft loafer with a longer vamp; its calm horizontal line answers the breadth of the skirt. Beneath a long column, a low-cut, subtly square flat need only appear below the hem. The rule is not feminine versus masculine but proportion: the longer and more closed the skirt, the more reduced the shoe can become.

The less the shoe insists, the more clearly the men’s skirt can speak.

3. The sock becomes the joint

A flat shoe reveals more instep and ankle than a boot, so the sock cannot be an afterthought. With knee-length graphite pleats, a charcoal knee sock extends the fold without creating a hard break. Olive utility accepts ribbed graphite because its dry texture speaks to twill and lacing. Espresso holds the warmth of the tobacco midi wrap together. Paris stays black, leaving only the deep oxblood shoe to catch the light. Fine to medium ribbing, no sports logo and enough tension to avoid collapsing at the ankle: the sock becomes a narrow architectural joint.

4. Soft does not mean shapeless

A good soft shoe still requires structure. The heel counter may yield, but it must hold the foot; the thin sole should flex rather than sag. Calfskin, goatskin or finely grained nappa develops small creases as it moves and gains character in the process. Wallpaper* explicitly names flat footwear as an A/W 2026 signal, while Vogue Business identifies a market shift from massive sneakers towards slimmer men’s shoes. With a skirt, workmanship remains in full view: clean edges, a quiet last and restrained lacing carry more authority than decoration. Made in Italy is expressed through balance, not hardness.

5. Men Can: elegance without defence

Celine’s official collection note brings strength and softness together and frames style as a personal act of courage. AP places more open gender codes within a serious European fashion context. Nino Cappello draws a grounded conclusion: a man can wear a skirt and a close-fitting shoe without performing a role or providing an explanation. Masculine construction comes from fit, material and bearing, not the thickness of a sole. The flat step is controlled, mobile and assured. Here, Men Can means less armour and the same presence.

Four flat foundations for four hems

Knee, below-knee, midi and long lengths show shoe opening, sock and skirt plane working as one system.

Man in Milan wearing a camel blazer, knee-length graphite pleated men’s skirt, knee socks and flat black Derbys.
Milan · Graphite and a soft Derby
Camel double-breasted blazer + ivory fine knit + knee-length graphite knife-pleated men’s skirt + charcoal knee socks + black rounded leather Derbys on thin soles.
Man in Copenhagen wearing an ink-navy jacket, below-knee olive utility kilt, ribbed socks and flat lace-up shoes.
Copenhagen · Utility and slim lacing
Cropped ink-navy field jacket + ecru poplin shirt + olive utility kilt two inches below the knee + graphite ribbed socks + black flat soft-leather Derbys.
Man in Florence wearing an ivory linen jacket, tobacco midi wrap skirt, espresso socks and soft loafers.
Florence · Tobacco and glove loafer
Unlined ivory linen jacket + sand knitted polo + tobacco upper-calf wrap skirt + espresso socks + dark glove-soft leather loafers.
Man in Paris wearing a midnight jacket, long black men’s column skirt and flat oxblood leather shoes.
Paris · Black column, oxblood accent
Cropped midnight wool blouson + black silk-cotton roll neck + long black column skirt above the ankle + fine black socks + deep-oxblood square-toe flats.

Sources in brief

EL PAÍS and Who What Wear supply the immediate cue; Vogue, Wallpaper*, Celine and AP establish the menswear, seasonal and cultural context. Matching the shoes to men’s-skirt lengths is Nino Cappello’s editorial interpretation.

Build the line from the ground up

Discover modern men’s skirts, Italian construction and looks that carry more conviction with less weight.